Trine Lyngsholm contributes to the anthology Taste, second book in the Westminister Law & the Senses Series edited by Andrea Pavoni, Danilo Mandic, Caterina Nirta and Andreas Philippopoulos-Mihalopoulos.
Taste usually occupies the bottom of the sensorial hierarchy. On the one hand, it is the quintessentially hedonistic sense, too close to the animal, the elemental and the corporeal, and for this reason disciplined and moralised. On the other, it is indissolubly tied to knowledge. To taste is to discriminate, to emit judgement, to enter the domain of normativity, and a rather unstable one at that: to taste is to test, to try and to guess, wandering into an uncertain zone of synesthetic immersion where the certainty of metaphysical categories begins to crumble.
Taste is a promising tool with which to investigate the materiality of law’s relation to the world: for what else is law’s reduction of the world into legal categories, if not law’s ingesting the world by tasting it and emitting moral and legal judgements accordingly?
This second title in the interdisciplinary series ‘Law and the Senses’ explores law by using taste as a conceptual and ontological category, able to shake legal certainties by opening them to differently-flavoured avenues. At the same time, from coffee to wine, from craft cider to Japanese knotweed, the volume explores taste through the legal and socio-cultural normativities that shape the way taste is experienced, structured and valorised. The result is an original volume dedicated to a rarely-explored intersection, with contributions from artists, legal academics, philosophers, anthropologists and sociologists.
EAT ME - Trapholt – Museum of modern Art, DK
(23.09.2017 - 20.05.2018)
BORDER//BORDER - RCA Sculpture at ECA, Edinburg, UK
Photos by Rikke Luna © I DO ART Agency.
Melting Point - BA Graduation catalogue
The Royal Danish Academy of Fine Arts, School of Design on Bornholm, DK
Graphic design & concept: PAPER BEAT ROCK
Photo: Ida Buss